Original Research - Special Collection: Impact of Reformed Theology
The legacy of singing Scripture only in the Reformed Churches in South Africa: The regulating role of the Word from Heidelberg to Dordrecht
Submitted: 29 November 2019 | Published: 06 July 2020
About the author(s)
Simon N. Jooste, The Unit for Reformational Theology and the Development of the South African Society, Faculty of Theology, North-West University, Potchefstroom, South AfricaJohannes C. Potgieter, The Unit for Reformational Theology and the Development of the South African Society, Faculty of Theology, North-West University, Potchefstroom, South Africa
Abstract
This article presents a historical–theological investigation into, and retrieval of, the principle underlying Article 69 of the 1618–1619 church order of the Synod of Dordrecht for the reformation of worship in the Reformed Churches in South Africa (RCSA). Article 69 essentially mandates the singing of Scripture only in corporate worship. The Dordrecht church order was adopted by the RCSA (originally the Vrye Gereformeerde Kerk) at her founding in 1859, a founding in part as a reaction to the singing of free hymns in the mother Nederduitsch Hervormde Kerk. In her formation, the RCSA re-established vital continuity with a catholic and Reformed tradition of singing Scripture only in public worship. And yet, in 2012, the General Synod of the RCSA decided to revise Article 69 to allow for the singing of free hymns. In the name of Semper Reformanda, this article seeks to challenge the historical–theological validity of this decision by recovering a central principle overlooked at the aforementioned Synod, yet present in the continental Reformed tradition. That principle is the Scriptural or regulative principle of worship (S/RPW). Simply stated, it is doing in public worship only what God commands. The presence of the S/RPW in the founding standards of the RCSA is of significance for appreciating her historic 150-year legacy of singing Scripture only and for her ongoing responsible critique of introducing free hymns.
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